The Essex Green Album: “The Long Goodbye”

It's obvious these guys don't give a [dang] about anything going on today. And that's a good thing. This is a great record that keeps growing on you the more you listen to it. It's eclectic, but there are common themes running throughout the record that hold it together. An album's album. One of my favorite new records.

Every song on this album is pretty catchy, but not as memorable as some of the tunes on the previous 3 albums. This ordinarily would be a bad thing, but this album just keeps growing on me. Zach Ward's voice is missed on this release as well as Mike Barretts, but somehow the EG have made another masterpiece - it just isn't as immediate as the 3 previous releases. I actually had to come back and edit my review, this album finally clicked with me and it deserves to be heard. The difference between The Essex Green and The Sixth Great Lake used to be Timothy Barnes in EG and not in SGL while Zach Ward was in SGL but not EG....if Barnes isn't in the band anymore, can't we just make Zach a member of both bands???

A very enjoyable CD when you want some chill time. While not quite as polished as their next album (Cannibal Sea), you can still enjoy the Green's exceptionally listenable and uplifting efforts while knowing that you've found a band that grows and matures with each passing year. If you're looking for a CD to study by, to drive by, to chill by, then you've found it!

After the charming psychedelic pop of their debut, the Essex Green takes a different path in their sophomare album. Second album "Long Goodbye" has more of a rock and alt-country flavor, which doesn't suit the bouncy, poppy music quite as well.

Songs like "Lazy May" wouldn't sound out of place on a country-rock album, with the drawling vocals and banjo riffs. The slower songs like "Julia" follow the same formula in a more balladic way, but have touches of psychedelic pop, with echoing backing vocals and a swelling melody.

Other songs have a softer, less grounded sound, like the airy pop of "Chartiers" and the oddball sound of "The Boo Hoo Boy," which has a dash of psychedelic folk flair. "The Late Great Cassopeia" is perhaps the highlight, perfectly balancing the bright quickness of Essex Green's pop with a driving guitar rhythm.

"Long Goodbye" isn't really a continuation of "Everything is Green" -- it's basically a different album that has a few musical flourishes in common. And this album harkens back to their earlier country-flavored work in Sixth Great Lake and Guppyboy, but it doesn't really fit them in this guise.

The main flaw is that the alt-country sound is mixed in with psychedelic flourishes -- something that might work for some bands, but it sounds awkward and contrived here. It also lacks the sunniness and prettiness, in favor of a grittier, more stripped-down sound. In other words, no discernable Vox organ or fuzz guitar.

Musically, it's actually pretty good -- the guitar riffs are fairly solid, occasionally a bit monotonous but overall quite solid. The occasional flicks of chimes add a more ethereal touch to it, as do the soft flute melodies. The drums are a mixed bag -- in "Lazy May," the beat is monotonous and too front-and-center.

But the vocals make up for that: Sasha Bell, also of Ladybug Transistor, has a lovely voice -- bright, airy and clear as a... well, as a bell. She manages to add an ethereal note to songs like "Southern States." I'm not so enchanted by the male vocals, which tend to be rather pedestrian.

Don't expect the best here, because "Long Goodbye" doesn't live up to the promise of their debut. That said, it is a pleasant enough alt-country listen.

I'm not kidding. While the Essex Green is unlikely to have the commercial appeal of "Rumours" - it is intensely melodic and original.

This is my first written review on Amazon - I'm picky and don't like to write - I buy alot of music - recently that's included Iron and Wine, Damien Jurado, Dolly Varden, Low, Ladybug Transistor, Andrew WK (ok, so that pushes my taste a bit - but what collection is complete without 1 stoner-rock release?), Stereolab, Broken Social Scene, Pretty Girls Make Graves - I could go on, but I figure this gives you and idea of whether you might like this release based on you liking any of these other artists.

I'm a 47 year old psychologist with a love for melody - that has to drive the music even more than the lyrics or style.

Back to Essex Green - I saw them in Grand Rapids, MI - very good, what I liked most was the way they were into the music, despite the very small crowd (I think it was a Tuesday night).

A couple more comments - the review on All Music Guide said Sasha had the best voice in the band "by far". And her voice is really nice and distinctive. I'm probably even more partial to female vocalists. (The first Goldfrapp release was easily my favorite of 2000-2001.) But Chris' voice is just as good and just as distinctive. You hear voices like these and realize how hard it is to sound unique - you have it or you don't - not alot you can do with that part...

What's so impressive is the, on the one hand, simple pleasant music, but on repeated listens, the variety in the songs themselves and the structure of the melodies.

There is REAL TALENT here. I don't know if the songs are truly written by all three of the major players - Chris, Sasha, and Jeff, and not to short-change Jeff, who was great on lead guitar and fits the band perfectly - but the Ziter/Bell (Chris/Sasha) combo is the best since Buckingham/Nicks. I don't know how a solo album will be with either Chris or Sasha (Buckingham/Nicks solo releases were never as good - and Sasha did just release Finishing School, which I plan to get - maybe hers will be the exception) - but I do know that having 2 extremely gifted songwriters with 2 orignally distinctive voices is an absolute treat on 1 release.

I give it 4 1/2 - I think 5 should be reserved for "absolute classic" and that will take 5 years or so - keep posted... (ha).

Buy this - don't make these guys have to get day jobs...