Disco de New Order: “Power, Corruption & Lies”
 Descripción (en inglés) :
New Order: Bernard Sumner (vocals, guitar); Gillian Gilbert (guitar, keyboards); Peter Hook (bass); Stephen Morris (drums).
<p>Opening with the insistent guitar figure of "Age Of Consent," POWER, CORRUPTION & LIES immediately makes its mission clear: an economical album (its eight tracks barely break 40 minutes), PC&L truly shows a band at the top of its game. Striking a perfect blend between man and machine, the simple, hook-laden guitar work of vocalist Bernard Sumner and thundering yet melodic bass of Peter Hook form a warm, organic center, around which is wrapped an ocean of rich, inventive keyboard textures.
<p>Within the cohesive, unified musical vision of POWER, CORRUPTION & LIES are contained many definitive New Order moments: "Your Silent Face" is epic in scope, from its otherworldy throb and lush synth pads straight down to its emotive melodica theme and resigned, understated melody. The wild, danceable "Ecstasy" foreshadowed the club culture that the band was to help inaugurate with its angular instrumentation and relentless synth riffing. The bittersweet closer "Leave Me Alone" features one of Sumner's most tender melodies atop a backdrop of ringing, intertwining twin guitars and halting drumbeat.
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Información del disco :
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Power, Corruption & Lies |
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UPC:075992530828
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Formato:CD
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Tipo:Performer
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Género:Rock & Pop - New Wave
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Artista:New Order
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Productor:New Order
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Sello:Qwest
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Distribuidora:WEA (distr)
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Fecha de publicación:03/1983
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Año de publicación original:1983
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Número de discos:1
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Grabación:Analog
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Mezcla:Analog
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Masterización:Digital
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Length:42:36
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Mono / Estéreo:Stereo
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Estudio / Directo:Studio
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25 personas de un total de 28 encontraron útil la siguiente opinión:
- the perfect mix
Whenever someone complains that electronic music is totally void of warmth or realism, I just point to this album. New Order play electronic music with the urgent and manic shifts of rock. Bernards vocals are earnest yet detatched, with guitar work that is jagged, random and sparse; Gillian and Stephen's percussion and synth sequences are both lively and rigid, an up-beat/down-march; Peter's basslines are fluid yet kinetic. This is a work of ironic friction. The warmth and humanity flow thru the restrained and urgent detatchment. The whole album sounds like a friend that wants to say something but can't, hiding it behind his/her eyes.
I would consider Power, Corruption & Lies an artistic/pop masterpiece in the true sense. The electronic and post-punk meanderings are only the charms that envelope the wonderfully angular pop sense that Bernard brings to his lyrics. Everything is so vague and pretty; it's like the album cover...just a random slice of still-life, full of colour and restraint. Tracks like 'Your Silent Face' or '5-8-6' explode with edgy, manic shades of light, sorta like impressionism via expressionism.
You won't be let down by this album. With the band themselves producing it, it's a natural workout of rock and electronics, perfectly blended together to make a classic.
11 personas de un total de 12 encontraron útil la siguiente opinión:
- Clarification
This album is definitely in my top 10 of 1980s albums. I listened to it daily throughout 1983 and 1984. That said, I believe some clarification is in order.
The review just previous to this one incorrectly states that "The Village" was not on the original "Power, Corruption & Lies" that was released on vinyl in 1983. Actually, "The Village" was on the album, but "Blue Monday" backed with "The Beach" was a separate 12" single from around the same time. It was added when the album was released on CD a few years later. Unfortunately the record label thought it fitting to disrupt the original track order and "flow" of the album. These two songs should be listed as "bonus tracks" and be put at the end of the album, or maybe be left off altogether, since they are also on the "Substance" collection. What's more, Amazon didn't help by having their own review done by someone who was obviously unfamiliar with the original album.
Análisis de usuario - 19 Octubre 2003
10 personas de un total de 11 encontraron útil la siguiente opinión:
- blows all their peers away
Let me just clear something up: New Order are not, nor have they ever been, a new wave synth-pop band. Their music inspired a lot of it, yes, and their most famous songs ('Bizarre Love Triangle', 'Blue Monday') were synth pop but the timelessness, power, emotion and innovation of their music has them being recognized now as easily one of the most respected, influential and popular bands of all time. Too much to be lumped in with some trendy garbage of the era. Their albums are modern classics.
It's too bad the sleeve for this album lost its magic in translation to cd format. The vinyl version of this album is stunning.
The music catches them wanting to ditch the heavy, stylized gloom of their Joy Division work and 'Movement'. Yet, they hadn't fully committed to making flat-out pop music like on every subsequent release. So every song bubbles with the sound of a psychedelic post-punk band with subtle programming echoing the New York City hip-hop and electro at the time. The lyrics are borderline incomprehensible, but they work because against the odds they evoke strong emotions, more so then on any other New Order album. The music is still overwhelmingly sad and joyous at the same time, a New Order trademark.
There are two very different versions of this album. The U.S. Warner release includes 'Blue Monday' and 'The Beach'. My problem with this version is that after the song 'Leave Me Alone' the album should just end, it's a natural and beautiful ending for the album, instead it jumps into a bouncy 7-minute electro workout 'The Beach'. It's just wrong!
6 personas de un total de 6 encontraron útil la siguiente opinión:
- Cheers to New Order; Jeers to Amazon
This is an outstanding record, and this reissue in particular is an excellent remastering/packaging of the original pressing.
My complaints are not about the product, but about Amazon's listing of it. At least two details are incorrect: (1) It does NOT include "a coupon for MP3 download of the album" as outlined in Amazon's editorial review, and (2) it does NOT include the tracks "Blue Monday" nor "The Beach" as outlined on Amazon's track listing (as it's a reissue of the original pressing, not the later American CD/cassette releases which included them).
These are both very important distinctions to someone considering purchase, and though it might not be intentional, from the perspective of a customer it appears as a bait-and-switch type of deception that Amazon suggest their inclusion. These kinds of lazy research errors seem all too common with Amazon listings, and are nothing short of criminal.
Get it together Amazon.
John (West Hampstead United Kingdom) - 22 Marzo 2000
11 personas de un total de 13 encontraron útil la siguiente opinión:
- Don't let Blue Monday distract you
This album sits inbetween the darker more reflective indie sound of Joy Division and the somewhat lighter dance sound of New Order, but in no way sounds like it is not sure where it stands. It is a confident sound from a group shaking off past ghosts and embracing a new direction. The standout track is Your Silent Face with it's lush orchestral synth arrangements and Bernard Sumner's deadpan vocal delivery. This track alone is worth the admission price. Despite their brilliance, I believe that the inclusion of Blue Monday and The Beach (ommitted from the original release) may detract the listener from the rest of the album. If you are buying this for these 2 tracks, do yourself a favour and program your cd player to run through without them, you will find that what you're left with is a stunning album.
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