Erasure Album: “Solsbury Hill [Maxi Single]”

(...)...when you take a song and whack it out so much that it doesn't even resemble the original track, then it's only good for those that are so drugged out at raves. Erasure never was exclusively a trance music group, they are at their best when extending their songs and keeping close to what they really were. There are plenty of trance songs out there to satsify that crowd, Erasure doesn't have to do it every time.

Erasure is in top form with this maxi-single: Every remix of Solsbury Hill and Video Killed The Radio Star remain faithful to the original tracks, and are all vocal too! Each mix is very different from each other, yet you know what song you are still listening too. This is a wide variety of choices -- Solsbury Hill's radio mix is perky and fun techno pop, the 37B mix is funky, the Manhattan Clique mix is club-friendly and well structured. And all the while you can sing along and know this isn't some "re-interpretation" by some trendy dj that has no real relation to the song to begin with. At least these tracks offer different visions and still provide thorough enjoyment.

The other cover on the single is "Ave Maria," and it's a great avenue for Andy Bell to give it his all and use his voice to it's fullest. You'll even love the non-lp tracks included, "Tell It To Me" and "Searching." The latter is a great disco-influenced song that I find myself playing quite often.

Give yourself a treat and try this CD, it shows why Erasure is still in top form after 20 years in the business!

I just picked this up today at the record store, and it was well worth the $8.00 price. The remixes are really great, (unlike the new ultra-technoey Oh Lamour remixes). Also, each mix is significantly different. And the non-remixed b-sides are worth it as well. This is definitely a must have. I'd get it now before they're out of print, since they don't usually re-issue singles.

Great new single from Erasure, I really like this cover, loved the original and its great to hear it in erasures unique bubble-gum synth sound. LOVE IT!

This new single from Erasure is excellent. I own most of the music recorded by them, including their 2001 Loveboat and all the singles from that album. Solsbury Hill sounds great Erasure-style. I also ordered the DVD single (import). I can't wait to receive Other People's Songs..

This review was originally written by my husband, Daniel Aeschliman, who has given me permission to post it here:

The lead-off single for Erasure's new album Other People's Songs is a cover of the Peter Gabriel classic "Solsbury Hill." The US version of the single contains four versions of this song, plus two new original songs, a recording of "Ave Maria," and an exclusive mix of "Video Killed The Radio Star."

The album version of "Solsbury Hill" is somewhat typical of more recent Erasure material - lots of obscure blips and whistles in the background that don't really seem to contribute anything individually, but when layered together provide an unusual form of percussion. By contrast, the Radio Mix filters out many of these anomalous blips, pushes the regular drumbeat higher in the mix, and slightly picks up the tempo. The 37B Mix is a mellower approach to the song than the radio or album versions, more in the vein of the original track. Finally, the Manhattan Clique Extended Mix zeros in on the dance floor potential of the album version and enhances it with a slew of samples from earlier Erasure singles (including, but not limited to, "Supernature," "Victim Of Love," and "Stop!").

"Tell It To Me" is the stronger of the two original tracks on this disc. Due to the nature of the album this single comes from, it is understandable why the song doesn't appear on the album (as it isn't a cover), but a disappointment nonetheless that it is relegated to being a b-side only. The song has a natural flow to it, carrying the listener along. "Searching," on the other hand, lives up to its name. It feels more like the instrumental b-sides Erasure put out during the Chorus album era, but with a vocal track layered on top; the two styles never really find the middle ground that they seem to be searching for.

The single also presents an exclusive remix of "Video Killed The Radio Star." Musically, this track is incredibly simple, though fittingly so. The intensely processed lead vocal track (it's performed by computer rather than being sung by Andy Bell) is a little disorienting at first, but it takes the song a step beyond what the Buggles originally intended, creating a paradoxical condemnation of the over-mechanization of music while simultaneously embracing such mechanism.

The disc closes with a piano and vocal rendition of Bach's "Ave Maria"; rarely has Andy's voice been showcased so clearly. While a large portion of Erasure's fanbase is clearly made up of electronics aficionados, this track clearly shows that the human component of Erasure's material is just as important; Andy may not have the vocal skills of Pavarotti, but he can outclass many of today's manufactured pop stars.

The disc also contains a computer video file of a short film made by Vince, Andy, and some friends, entitled "Dr. Jeckyll and Mistress Hyde." It's a mostly silent film about a transvestite scientist on a murder spree. The less said about it, the better.

This single's biggest success is the fact that it completely avoids focusing on lesser quality "club" mixes that seem to be little more than a drumbeat (such as many of the singles from the previous three US albums did). The variety of material, from the club-stomping Manhattan Clique remix, to the simply arranged 37B Mix of "Video Killed The Radio Star," to the exquisite vocal performance on "Ave Maria," provides a person listening to the disc at home a much more enjoyable experience.