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Disco de Annie Lennox: “Bare [Bonus Tracks]”
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Bare [Bonus Tracks] |
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Fecha de Publicación:2003-06-25
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Tipo:Desconocido
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Género:Soft Pop, Adult Alternative, Classical Crossover
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Sello Discográfico:BMG Victor
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Letras Explícitas:Si
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UPC:4988017616031
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Análisis (en inglés) - :
It's been eight years since {^Medusa}, {$Annie Lennox}'s last studio album, was released. It's been 11 since her debut solo effort and five since the short-lived {$Eurythmics} reunion. And while she may not be prolific, {$Lennox} is always enigmatic. {^Bare} is a collection of self-penned tracks, as the artist explains in the liners: "This album contains songs that are deeply personal and emotional. In a sense I have 'exposed' myself through the work to reveal aspects of an inner world that are fragile...broken through experience but not entirely smashed. I am not a young artist in their (sic) twenties. I am a mature woman facing up to the failed expectations of life and facing up to 'core' issues." Sound pretentious? One listen proves that {$Lennox} lives up to her claims in spades. Here are 11 wholly -- even infectiously -- accessible, lyrically savvy, and gorgeously wrought {\pop} songs full of spiritual and emotional depth that make for a deeply moving whole. On {^Bare}, {\soul}, {\adult contemporary}, subtle yet unmistakable {\pop} hooks, and an elegant use of electronic soundscapes converge in song styles to create not a tapestry, but a work of such interwoven depth that its only visual counterpart would be a fine Persian carpet. On {&"Wonderful,"} the refrain brings a {$Hall & Oates}-styled {\Philly soul} refrain to one of {$Lennox}'s trademark {\ballads} constructed from repetitive fingerpicked electric guitar lines, a simple rhythm-machine loop, and gentle synth washes in the background. But it's in the lyrical paradox where the grain of her voice goes straight for a truth and need that the listener almost feels she's peeled off one layer too many -- not hers, ours: "I wanna hold you/And be so held back/Don't wanna need you/But it's where I'm at/Thinkin' about you every day/How come I was made that way...God it makes me so blue/Every time I think about you/All of the heat of my desire/Smokin' like some crazy fire/Come on here/Look at me/Where I stand/Can't you see my heart burning in my hands?/Do you want me? Do you not?" The previous track is a guitar-kissed {\ballad} with limpid choruses that sear with the truth of having believed -- perhaps willingly -- each lie a lover ever told; it is destined to be played in every post-midnight, brokenhearted, half-empty bedroom for decades to come. And though the previous examples come from near the middle of the album, they don't begin to tell the whole story, as each track fits hand in glove with another. It not only can be taken as a whole, it must be, for it rains down on the heart of the listener with such a fierce life force, despite the depleted spirit exhibited in many of the cuts. There are no more words for the ravaged, triumphant {^Bare} -- the truth of its fineness and devastating beauty is in the hearing. [A Japanese version included bonus tracks.] ~ Thom Jurek, All Music Guide
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